Eduardo del Castillo Ibarra Born January 22, 1977 in Mexico City DF. Where are most of the influence for his creative work. Indie artist in several media arts: plastic, music and writing. For this artist, the art of the past is who gives him the fortune of meeting and reinterpret the events creators and time, with their ideas in coded raise awareness posture and plastic use language as a means of expression . Since 1994, take some courses and free workshops on plastic arts and some private lessons on music composition. Later in the workshop of graphic expression of the college of sciences and humanities formally produced his first works without trying to imitate anyone, but from a fusion of styles that Atrada Haban (these can be named the so-called avant-garde) and the pair continues to explore on their own betas that provide a uniqueness to his work through the manipulation of formal techniques and styles and manufacturing staff, let us see that his work is a constant evolution that transmits energay feel that the subject is alive . Like any artist, uses the imagination to display signs and designs, and to materialize their thoughts and conceptual ideas sono-reactions categorized as literary, and sometimes pretend to be protests against injustice and social conditions which feeds the context of some work, but the inner self is what most attracts your attention. With a musical poetic influence reflected in his works changes, emotions and moments traveling the color gamut to issue questions, criticisms and impressions. In some works, the satire, the dreamy, anger, happiness, and everyday contingencies are subject for seasoning and prolific creation. Approximately more than ten series that can placed between impressionism, expressionism, cubism, abstract art and a great touch of dadasmo; up the production created by the artist between the years 1997 to 2002. From the year 2003 began studying the primitive graphics of the world and especially the Maya and Aztecs. And since then, CDIC has enhanced the project or code of signs where the series branch new codex, Glyph and NEOGLIFOS. In 2007 begins with GLOBAL CHANGE NAHUAL Parthenon, a sculptural project that includes recycling as part of its construction in order to preserve the environment and revive the spirit of our roots. Nohemi GOMEZ